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As the summer weather dissipates, and the cool and crisp air takes over the city, for me it is a time for reflection. A time to set even more goals for the coming seasons. One of those goals was to be interviewed, and officially, last month, that happened.
In August I was contacted by Business Talk Radio (seems my website's SEO is working for me) and invited to speak on their show hosted by Chris Robertson. I jumped at the opportunity, and am super grateful to have been able to discuss what I am most passionate about. I discuss my venture as an Interior Designer in Canada, how my path down this road began, how it was fostered, the type of exposure I have had into the industry, and the type of services I offer. I even discuss my first human memory, which strangely enough, has a lot to do with my career trajectory. See below for link:
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 Ever since my first visit to Rome, on what I coined my Grand Tour, where I woke up at 6am each morning to take in the city’s places and things, to then go to sleep early and do the same thing again the next day, the Palazzo dei Conservatori has inspired me to no end.
Its location atop the Capitoline Hill, what was considered the original epicentre of Rome, its historical significance for thousands of years until today, and the great minds involved in shaping it, over and over. Originally 12th century, built atop a sixth-century BC temple to Jupiter, it was used for the city’s magistrates. Redesigned by Michelangelo at the dawn of the Italian Renaissance, it now stands as a testament to his genius, celebrating the first use of giant orders; columns, but in this case pilasters that span at least two storeys- set on high pedestals to help maintain their classical proportions. So much more can be said about this façade, its combination of Corinthian and Ionic columns at loggia level, the beautiful segmental pediments crowning each window, and the balustrade atop the building which further emphasizes, and enhances, the proportions of both horizontal and vertical elements with one another in a complex, yet unified scheme. And I still have not yet mentioned the Piazza del Campidoglio, likely better for another post, but another stroke of genius. But these things I will surely make further mention of eventually, and further explain, but for now, a photo from the inside of this said building, what is now renamed the Capitoline Museum; the most beautiful, and majestic Murano glass chandelier I believe I will ever come across. Anything more beautiful would pain me to leave.  "There is no greater space to promote dreaming than the home, no better room to share in it with loved ones than the formal living room." -Shaun Mandelbaum
But please, please, do not make the mistake of confusing the word ‘formal’ with ‘unusable.’ Far the opposite! In this case, the word formal only implies a deep, much needed human ritual, something devoid of the television, devoid of electronics, but rather where, within the deep recline of a down filled sofa, against soft and sensual materials, sound and light softened by drapery, the most intimate of conversations can carry on undisturbed. In this thoughtfully designed space, each object in perfect consideration with the next, this formal living room creates a vivid fusion between the past and present, with traditional references and modern take. A sofa that otherwise would seem too formal with its tufted back and French nails, is made more inviting through its loose oversized, and overstuffed, seat cushions. Such opposites continue to attract through drapery with its classical appeal made modern through the use of, not silk, instead wool; a tailored refinement outside of the billowy version more popular in decades past. The silk, instead isolated to a single Ikat toss cushion in velvety view, is one whose blurring geometry references the modern art up above, squares shifting into squares. The sleek refined club chair, with its handsome stained smooth frame contrasts a pretty and nubby covering in boucle. Like sun on a wintry day, hits of brass, the warmth to an otherwise cool palette, through line of the coffee table relating to the rug’s motif, and form of the side table to the antique console’s legs in behind, these objects relating to each other through material alone, and sooner back to the space than too quickly themselves, keeping the eye moving. The marble top of the coffee table and that of the antique console in behind, relate the modern to history once again. Even just through surface, most effective. The rug’s reference to traditional wood herringbone floors reborn in an undeniably modern take is scaled down to read as texture instead of pattern, set tone on tone to give depth instead of contrast. The dark bronze sculpture’s movement reminds us of the graceful lines of the chair in front, yet on its own beautiful against the space’s stillness, geometry, and control. A space to escape the realities of everyday. -The Formal Living Room 📸 Photo Credit: Brian Gluckstein  So many things can inspire a young designer!
Nature, fashion, architecture or interiors themselves, but for me, the greatest way is through the #books of old allowing access to the greatest minds and works of man. One of these prized books, and cherished minds, is Peter Carl Faberge, a second-generation Russian jeweller best known for what has been coined as ‘The Faberge Egg’. Completely composed of precious metals, and gemstones, these works brought to him great notoriety, especially after the yearly commission by the Russian Tsar of a single egg for his wife each Easter. This tradition then continued with their son, who doubled this yearly commission; one for his mother in tribute to his father’s #memory & #love, and one for his own wife, a testament to his own. For me, the inspiration only begins with these eggs, and continues with boxes and cases, trays, goblets, teapots, rock crystal vases that look water filled to allow containment of the most precious studies of poppies, and forget-me-nots, made of diamonds and nephrite. Even a mini grand piano of gold and enamel. And don’t forget the figurines of hippopotamus and rhinoceros. A man who devoted his whole life to achieving the pinnacle of beauty is forever a man I will cherish. And forever will inspire my own work.  Interior Design can truly have a social aim!
In 1973, in an attempt to raise critical funds for Kips Bay Boys & Girls Club for much needed after school and enrichment programs in New York City, the concept for the @kbshowhouse was born. Since then, the design world’s interior rock star equivalents have outfitted a Manhattan townhouse dedicated to showcasing their work, a must-see event for design professionals, and enthusiasts the world over. In 2017, the showhouse expanded to its second location, in the sunny and more summery Palm Beach, Florida. This year, in a handsome Mediterranean-style villa, with views and vistas overlooking and through to the ocean, a coastal context offers a design language far different than its more northern equivalent. And although the rooms assigned, and designed, offer a more kaleidoscopic scheme, this outdoor space by @amymeierdesign conceives quietly, with such an understated elegance, exactly the direction in which the design world has gone. Coined by Meier as #nouvellenouveau , and inspired by designers such as Adolf Loos, famous for his essay on Ornament and Crime, in which he championed smooth, and clear surfaces in contrast to lavish decoration, this space achieves exactly that. Combining stuccoed over brick, with the enlisted master blacksmith @metalbydaviddesantis bringing more naturalistic decoration surrounding, and above, the marble fireplace; this space combines clean lines with the more naturalistic in a truly timeless way. Through the use of a sleek #diningchair in teak from @sutherlandfurniture , a further nod to the casual refinement that so suits Florida’s lifestyle is achieved. With underlying classical proportion, and symmetry set slightly askew, truly my favorite room of the house! |
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